Nia Okonkwo

Nia covers live scenes, working from Leeds and from cities she can reach by train for a single night. She writes about midweek bills, borrowed sound systems, and promoters who keep a room open after the headline set. Her notes stay on the practical shape of a show: the door price, the sightlines, the last song, the crowd that actually turned up. If she was not in the room, she does not file the piece.